For children’s authors

Christian Children’s Book Publishers Accepting Submissions

Bring forward a children’s story with wonder, warmth, and a reading experience families can share with confidence.

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Strangers and Pilgrims Publishing

Big adventures for young imaginations.

A child’s book can be playful, strange, suspenseful, and full of questions worth carrying into the next chapter. It can follow a brave young explorer, a clever animal, or a crew traveling farther than they ever expected. What makes the journey stay with a reader is not how loud it is, but whether it gives them a world they want to enter and a reason to care about what happens there.

Strangers and Pilgrims Publishing makes room for that kind of imaginative reading. Our children’s catalogue includes space adventures, mysteries, and animal stories made for readers who enjoy a little wonder without parents having to wonder what is coming next.

For an author, choosing a children’s publisher means looking for more than an open submission path. You need a publisher whose standards fit your story, whose existing books show the kind of reader experience they value, and whose process gives you a clear place to begin.

Children’s stories with room to explore

Young readers deserve stories that take their imagination seriously. A good children’s adventure does not need to talk down to its audience or flatten every hard moment into an easy answer. It can create mystery, danger, surprise, and the delight of discovering a world that works by its own rules. The important thing is that the story knows who it is for and treats that reader with care.

At Strangers and Pilgrims Publishing, a clean reading experience is part of that care. The goal is not to make stories small or predictable. It is to give families and young readers books they can enjoy without profanity or explicit sexual content pulling the story in an unwelcome direction. Adventure still has stakes. Characters can still make mistakes, face fears, and grow through the consequences of their choices.

Faith can enter a children’s story in more than one way. It may be close to the surface, or it may be felt in the story’s understanding of courage, loyalty, mercy, and hope. A manuscript does not need to sound like every other book on the shelf. It should, however, offer a reading experience that can stand comfortably beside a Christian-based catalogue shaped by imagination and thoughtful standards.

What helps a children’s manuscript make an impression

The strongest children’s submissions give a publisher something clear to see from the first pages. They understand the reader, the story promise, and the voice needed to carry the adventure. A brilliant premise helps, but it needs characters a child will want to follow and an opening that makes the next page feel inviting.

  • A clear reader in mind. Name the age range you picture reading the book and write with that child’s curiosity, attention, and sense of humor in view.
  • A memorable beginning. Let the first chapter establish who the reader is meeting, what feels unusual or important, and why the story is beginning now.
  • Imagination with direction. Whether the story is funny, mysterious, fantastic, or adventurous, its central idea should give the reader something concrete to anticipate.
  • Content that suits a clean catalogue. The manuscript should respect families looking for books without profanity or explicit sexual content.
  • A voice that belongs to the story. Children notice when a book feels forced. Simple, lively, and specific writing usually carries more weight than trying to sound grand.

It also helps to be honest about the book you are bringing forward. A concise description of the story, its genre, and intended reader gives the opening pages a useful frame. You do not need to make large promises about a future series or explain every corner of the world before anyone has met the main character. A clear invitation and a strong opening do the important work.

A catalogue that understands young readers

The current children’s shelf includes the Charlee Kate adventures, with stories that move through unusual places and strange discoveries, alongside books such as Jack, the Black Cat. Those titles show a practical standard: children’s stories can be imaginative, funny, and full of movement while still giving parents confidence in the experience.

Spend time with the children’s adventures catalogue before you submit. It is the clearest way to see the kinds of covers, story worlds, and reader experiences already at home here. Your manuscript does not need to repeat what is already published. In fact, a new idea is welcome. But it should feel like a natural next conversation with the young readers and families those books serve.

A good fit could take many forms. It might be a funny mystery, a science-fiction adventure, an animal story with a strong point of view, or a journey that lets a child see courage and friendship in action. Genre gives the book a starting place. The more important question is whether the story has a clear heart and a reader who will be glad to find it.

How to prepare a thoughtful submission

Before sending a manuscript, take a little time to make the first chapter do its best work. Read it as a parent, teacher, librarian, or young reader might. Does the opening make the main character feel real? Is there a question, problem, or discovery that invites the reader forward? Can someone understand the kind of story they are entering without a long explanation?

Then read the publishing terms and editorial standards. They explain the publisher’s approach to content, author approval, and the working relationship. A submission is stronger when both author and publisher can see the fit early, before anyone has invested time in the wrong conversation.

  1. Begin with the publishing inquiry. Introduce yourself and your story, then use the form to ask any practical questions.
  2. Share the essential context. Include the title, genre, intended age range, and a short description of the story.
  3. Email the first chapter. Send it to the address listed on the submission page, where the opening can be considered with the right context.
  4. Let the story speak for itself. A well-prepared opening and a clear note are more helpful than an oversized package of promises.

Publishing involves editorial care, cover design, formatting, and the work of bringing a finished book to readers. Strangers and Pilgrims Publishing describes a collaborative approach to that work: authors receive editorial changes and cover work for approval. That is worth knowing at the first step, because the goal is not simply to send a file somewhere. It is to find a publishing relationship that respects both the story and the people who will read it.

A good first step for a growing story

Children’s books often begin with a small spark: a peculiar creature, a strange new planet, a missing object, a daring promise, or a young character who sees the world a little differently. The work of revision can make that spark clearer. The work of submission is simply deciding when the story is ready to meet someone beyond the desk.

If your manuscript offers imagination, an honest sense of audience, and a clean reading experience families can welcome, start with a short inquiry. Bring the heart of the story, give the first chapter its best chance, and let the next conversation be about whether the book belongs on this shelf.

From our children’s shelf

See the adventures already waiting for young readers.

Explore stories of unusual worlds, curious mysteries, and memorable characters made to be shared.

Explore children’s adventures →

Frequently asked questions

What kinds of children’s stories do you consider?

Strangers and Pilgrims Publishing is interested in imaginative children’s stories with a clear audience, a memorable premise, and a reading experience that fits a clean, faith-aware catalogue. The current children’s shelf includes space adventures, mysteries, and playful animal stories.

Do you accept children’s manuscripts directly from authors?

Authors can begin with the publishing inquiry and then email the first chapter to the address listed on the submission page. Include the title, genre, a short description, and the age range you have in mind for the story.

Does a children’s story have to be explicitly religious?

A story should fit a Christian-based publisher and a clean, faith-aware reading experience, but it does not need to follow one formula. Stories may express their convictions through character, courage, mercy, consequence, wonder, or the moral shape of the journey.

What should I send with my first chapter?

A concise introduction is enough: name the story, explain its genre and intended reader, then add a short description that helps place the opening chapter in context. Clear information is more useful than a large promotional package.

Ready to introduce your children’s story?

Start with a short inquiry, then share the first chapter when you are ready.

Start your submission →